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etchings

&aquitaine/sugarlift

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The artist uses 'line' as an underlying factor looking at new ways of representing it. The prints show an abstract line all throughout. Geometry is linked to arithmetic in the way prints are drawn in some plates, i.e. the line junction series not shown here. All the prints are made by hand by the artist herself, therefore they are all unique.

The artist does not try to reproduce a landscape, or a figure. Instead a conceptual line represents an instant following the emotions elicited when observing an event, public or specific architectural spaces; using a range of techniques from linocuts to etching, constantly experimenting and searching.

PRINTS are separated by technique where possible: etching, linocut or mixed media such as etchings &Aquitaine/sugar lift or photo etching with aquitaine and the subject under study is transformed for specific purposes. Most prints were made from hard ground, unless otherwise stated. There are prints made from drypoint, soft ground and some photo-etchings from charcoal drawings made in situ. Monoprints, watercolour prints and other media can be found under: ‘several media’.

Some prints are on a series, others are artist proof (a/p) made before the plate was ready to start the series and carry a reduced price.

MISCELLANEOUS for a wide range of work.

 

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